Perceptions of a Front Row Bystander

So we went to see Nick Cave & the Bad Seeds last night. Won 2 front row Buell Theater tickets as a matter of fact, courtesy of the ever-so-wonderful Twist & Shout Records. On a whim, I entered an in-store contest quite a ways back. When I was excitedly informed by Twist staff that I had won these phenomenal tickets I figured I better learn something about Nick Cave. But I didn't listen to any of his back catalog over the months leading up to the show. And we missed him at SXSW last year. I entered the evening blindly.

Being a Tuesday and a work night, I was feeling fairly ambivalent towards getting dolled up to go downtown. But we're in the mode of again practicing the 'Summer of Yes!' philosophy so dolled up I got and it was honestly one of the weirdest things I've been to in recent memory... a total exercise of Perception.

As I mentioned, I'm not too familiar with Nick Cave. I mean, I do realize he's legendary in certain circles, but I personally have no prior experience with him or his music. I've heard strange reviews of his shows though. One of them had me a little freaked out in fact and I really didn't know what to expect. And I've never been an 'Observer' of a concert like that. Usually if I'm that close to the rail, I've fought hard and/or strategically planned to get there. Standing in a spot like that and not really being that vested in what was about to transpire gave an oddly hued tone to the whole thing.
So, here we are, basically at the stage and I really have no idea what was in store. We arrived during the opening band, Warpaint. Interesting arrangement. All chic band. Would definitely recommend checking them out. Super cool bass player. They wrapped up their (apparently?) very short set and I perused the crowd. Everyone was totally psyched to be there but I felt out of place. I felt like someone else who cared more about this guy should probably be sitting where I was. It was weird. I've just never felt like that at a show before.

So, out struts this skinny dude. Probably mid-late 50s. Pin-striped suit, some kind of shiny gold lame shirt, pinky rings & gold chain. Jet black hair and eyebrows.

Backed by a band, the Bad Seeds evidently, with the most Jethro Tull/ Rumplestiltskin looking strings player I've ever seen.

And they fucking erupted. I mean, he was all over the place.
 

They'd built out these added stage pieces into the aisles, and I'd venture to say this is where he spent the majority of the show.

When he wasn't running back and forth from one side of the stage to the other- intermittently tossing his mic and taking a minute to bang out a few notes on the piano- he was assaulting the crowd, occasionally letting some little high kicks ala Frederik from 'Million Dollar Listing New York' fly, alternately leaning on the crowd for support and absorbing its energy.
I thought Reignwolf was crazy. That was nothing compared to this! Cave had the roadies continually feeding him more cord for his mic so he could venture further and further into the crowd. Cut out's be damned, he walked on chairs, psuedo crowd-surfed, whatever it took. And the audience absolutely loved it. People watching last night was probably one of the best parts. He thrived on the attention, admiration and (I'm guessing) many of the hands placed on him.

Although I didn't know any of his material prior, judging by the crowds' reaction he appeared to play many of his 'hits'. It was a fairly extensive set list followed by a roughly 3-song encore. I'm still not sure what I think of his music. Too narrative for my tastes really. Very descriptive. Akin to sad, depressing prose put to music.

What will stick with me the most from this experience, though, were my observations of the audience. I felt so removed from things in a way, watching all of these folks so totally into the experience and him and his music. It was so odd watching certain things transpire and peoples reactions, especially the men. Some very strong, engaged and emotive responses. At one point I remember looking at one couple and they were BOTH so into the show- him matching vocal for vocal these strange, fucked up lyrics and she doing this belly dancing thing, batting her false lashes so much I had to wonder if the man she was with was her brother. I still can't say for sure. So strange to witness several (what I know were for the folks involved) Musical Moments shared between him and a select few that struck me as kind of absurdly funny. At one point I looked (behind) me into the crowd and I swear one lady had a spot light on her face and for a fleeting moment I thought they might have a 'Dirty Dancing' lift encounter except he'd be the Baby. Then, while gravitating to another young lady of the crowd he fell from one of the chairs he was walking over and although they were shortly united and shared quite a moment themselves, it was a bit Spinal Tap. And so very Rock & Roll.

I left pondering the elements of Concert After Glow, Groupies and Fame.

An experience to say the least. 

Preparing for the Debut of his Sophomore Release, Joel Monroe Reflects on 'Box Elder'

Joel Monroe began his musical career as a young songwriter from Leon, Iowa. Picking up the guitar at age 12, by age 16 he was writing and performing in and/ around Des Moines, Iowa. Making friends with a drum machine he dubbed 'Gene the Machine', he eventually recorded his own release ‘Box Elder’  

which debuted in March 2013 and features a blistering array of raw, rocking tunes. Singles ‘Black Cat Blues’ b/w ‘Weatherman’ were subsequently released via Grimtale Records as part of the labels' 'raw series'.

Seriously, this 'kid' is so talented you might be tempted to think he's made a deal with the devil, but I can assure you it's all hard work and dedication on his part. Joel recently took a few minutes out of his day to answer some questions regarding his Box Elder LP release, his Grimtale single and upcoming 2014 plans.

You began playing music at a fairly young age (12?)- What prompted you to first pick up a guitar? Has your family been supportive of your endeavors?
I believe it was Tom Morello of Rage Against The Machine whom inspired me to start playing guitar.  Rage Against The Machine was probably the first band that I began listening to religiously on a daily basis.  Tom Morello is very creative with the guitar and his playing automatically caught my attention.  My family has been very supportive of my music.  They are always encouraging me to go further.  I'm very thankful for that.

When did you start writing your own material? Can you describe a bit about your songwriting process?
I think I wrote my first song at age 16, which was "Black as Hell."  I don't usually write the lyrics and music together. The lyrics come first most of the time, and then I will write the music to the lyrics.  I never plan to write songs either, I just get this feeling telling me that I need to write something down.

Your first full-length album, Box Elder, was reportedly self-recorded in a fairly small space. How did that come about? What type of equipment did you use?
Yes, I believe the room was 10x7 ft. It was a spare room at my mother's house which I used to store my equipment.  It did give it a good sound though.  It was my first time recording something that would actually be released, looking back, I can think of a couple things that I could have done differently to make a better production, but what's done is done.  For the equipment, I used a solid state guitar amplifier, a 90's Alesis drum machine (Gene The Machine), both my guitars (Loretta & Black Betty), a few simple dynamic microphones, and a 100 watt 4 channel mixer going into a laptop.  I strayed away from any effects on the laptop, I used only a touch of reverb on my vocals.

Your Grimtale Records single ‘Black Cat Blues’ b/w ‘Weatherman’ came out on vinyl a few months following your digital LP. Considering you’ve grown up in, primarily, the digital/ MP3 age, what has it been like to progress from a home-recorded, self-released (primarily) digital artist to having a tangible product?

Well, I never really liked digital.  At school, kids would have Ipods and at home my father would have records, so I had a choice to make.  Obviously I love records way more than anything else, nothing can compare to the feel of vinyl.  I never imagined at all that I would have my music on an actual record, and I can't believe it happened this early in my life.  I love it.

I was duly impressed with the  b-side, ‘Weatherman’. Can you share the origins behind it?
Weatherman is a profound political song if you listen closely.  A "pop" inspired song as well.  I think the drum beat was created before the guitar.  I really liked the way it grooved.  Overall it's a song describing what a mess our economy has become and the big problems on Wall Street.  But that's only my description, you can interpret the song however you please.

You’ve named Bob Dylan and Muddy Waters as some of your musical influences yet your own style is very guitar driven and I gotta say, I see a lot of Jack White in you… that said, who have been other primary influences in your guitar playing and overall sound?
Lyrically, I'd say Bob Dylan is the main influence.  Guitar-wise, there are so many that have inspired me.  I love Hendrix, he was the first ever to put guitar up front in music, he always had an upfront, "in your face" sound.  As stated earlier, Tom Morello is who first caught my attention, Gary Clark Jr. just recently came about, he's absolutely amazing as well.  The Black Keys and The White Stripes have also been some of my many influences.  The list could go on and on.  I often get compared to Jack White, mostly in looks haha!  I don't know, maybe I'm a long lost brother?  I can see the facial similarities.  People sometimes think I'm trying to rip him off or something, but no, it's a genre of music that I love and live for.  Johnny Depp is supposedly my other twin as well...

Some might say you are more vocalist than singer due to the spoken nature of some of your lyrics. Was that a conscious decision or just a natural style for you?
That came natural to me.  I never really realized it until someone pointed it out.  Lately, I've been trying to open up my voice more, we'll see how it turns out later on haha!

What is your guitar of choice? 

I honestly don't have a preference.  I don't have the money to try any top-end guitars, so I mostly stick with the cheap ones, and they're getting the job done.  My main guitar (Black Betty) is a Jay Turser 220 with a few modifications.

Tell us a bit about your new project, The Crash Pilots
Just a little college band for now.  I don't see it going anywhere unless we get a good opportunity.  I really like playing with a band behind me, it gives the songs a great sound than what I'm used to.  It also allows me to solo a little bit more.  Hopefully in the future we will be releasing a 7" with Grimtale Records.

Any tour dates in the near future? What does 2014 have in store for Joel Monroe?
I try to get a gig anytime I can, it's hard being underage because a lot of the venues don't allow minors in.  Financially I don't have enough to create a tour, but someday I will do that.  April 7th I'm playing at a variety show in my hometown, Leon.  Other than that, I'm waiting for summer to get here so I can play some small festivals perhaps.  I am also releasing my second album titled, "Soda Splinters."  I can't let you know too much about it yet...

Thanks so much to Joel for participating in this Q&A! Be sure to check out this co-shared post over on our WaxOHolics page where Joel answers the burning Official Top Five WaxO's Gotta Know Questions.